This article needs cleanup. Please review to determine this article to conform to a of article quality. This page has been listed as needing cleanup since 2016-04-24. • 'I don't know why everyone loves this show so much, the characters are so sick!'

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• • 'You're an idiot. Study harder.' • Hideaki Anno,. • 'This show really is interesting, isn't it?

I never realized how interesting it was.' • Hideaki Anno, in a • Evangelion is my life and I have put everything I know into this work.

This is my entire life. My life itself.

• I wrote about myself. My friend lent me a book on psychological illness and this gave me a shock, as if I finally found what I needed to say. • Evangelion is like a puzzle, you know. Any person can see it and give his/her own answer.

In other words, we're offering viewers to think by themselves, so that each person can imagine his/her own world. We will never offer the answers, even in the theatrical version. As for many Evangelion viewers, they may expect us to provide the 'all-about Eva' manuals, but there is no such thing.

Don't expect to get answers by someone. Don't expect to be catered to all the time. We all have to find our own answers. • Hideaki Anno, 11/96 Newtype in Protoculture Addicts #43 • Rei is someone who is aware of the fact that even if she dies, there’ll be another to replace her, so she doesn’t value her life very highly. Her presence, her existence—ostensible existence—is ephemeral. She’s a very sad girl. She only has the barest minimum of what she needs to have.

She’s damaged in some way; she hurts herself. Topio Stin Omichli Rapidshare Files there. She doesn’t need friends. • Hideaki Anno,, Atlantic Magazine, May, 2007. • Anno's project is a postmodernist retelling of the Genesis myth, as his series title implies—Neon Genesis Evangelion. It is a new myth of origin, complete with its own deluge, Armageddon, apocalypse and transcendence. • Broderick, Mick (March 2002). 'Anime's Apocalypse: Neon Genesis Evangelion as Millennarian Mecha'.

Intersections: Gender, History and Culture in the Asian Context. Retrieved 14 August 2013. • I didn't mind it. The schedule was an utter disaster and the number of cels plummeted, so there were some places where unfortunately the quality suffered.

However, the tension of the staff as we all became more desperate and frenzied certainly showed up in the film. About the time that the production system was completely falling apart, there were some opinions to the effect that, 'If we can't do satisfactory work, then what's the point of continuing?' However, I didn't feel that way. My opinion was, 'Why don't we show them the entire process including our breakdown. End of Evangelion theatrical program book, translated by Bochan_bird. • 'Oh this is. This is nice, this is the end, okay.